Boogie or Die!
Ashley | 28 | Los Angeles
I help make TV shows. boogieordie @ gmail.com

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plaidandredlipstick:

the reason male comic book fans work themselves into a frenzied rage over “fake geek girls" is because they think they can’t get a girlfriend because of their love for comic books (a.k.a nerdiness). if they accept that geek girls genuinely love comic books, then they’re left with the cold harsh reality that it’s not their nerdiness that makes them unattractive to women, but the fact that they are misogynistic condescending dickbags who need to be avoided AT ALL COSTS

(via welcometotheslothhouse)

anexperimentallife:

nezua:

phoenix-ace:

girl-non-grata:

Please note: “everyone who works retail, admin, or labor” is pretty much everyone. I can’t remember the last time I worked somewhere without “security” cameras that monitored employees.

I’m having a good laugh right now because our associates just got collectively reprimanded for leaning on the counters during 8 hour shifts on their feet, because it isn’t “professional” looking.  So apparently they can put up with a camera over their shoulder to make sure they do their jobs correctly, but a cop with a gun cant?  

There is only one reason a cop would resist having a bodycam, and it’s the same reason they try to scare you away from filming them and it’s the same reason they’d tape over their badges and it’s the same reason racists love the Anon feature and it’s the same reason the KKK wears hoods.

The cops against body cams are the same ones telling us we should “just cooperate” when they make illegal demands, because “If you’re not doing anything wrong and don’t have anything to hide, you don’t have anything to worry about.”

(via strbrryseason)

The Emperor’s New Clothes (The Myth of Moffat’s Scriptwriting ‘Genius’) by Claudia Boleyn

claudiaboleyn:

Today I read an article about Steven Moffat’s Doctor Who in the Arts and Books section of the Independent on Sunday. In this article, by Stephen Kelly, Moffat is criticised for his inability to write women, to complete his plots, to write the Doctor as a likeable and trustworthy figure, and to keep his audience entertained. Yet one line in this frankly scathing (and almost painfully truthful) review reads: ‘When on form, Steven Moffat is the best writer working in television today’.

Having read said article, and written rather a lot of Moffat critique myself, the statement baffled me. Kelly’s entire article is lamenting the current state of Doctor Who at the hands of this man, and yet Moffat is still gifted with glowing praise.

It’s a common theme. I see it often when people are asked to review Moffat’s work. It seems people are almost afraid of criticising him, seeing as he has been lauded one of Britain’s most brilliant television writers.

It’s like the Emperor’s New Clothes. The Myth of Moffat’s Scriptwriting ‘Genius’. It’s a lie we’ve all absorbed and now just assume to be true. Sherlock himself would be frankly appalled by the entire thing. We are seeing, but we apparently do not observe.

Fellow Sherlock watchers will know what I mean (although many will probably not agree) when I equate Moffat’s writing to the empty houses of Leinster Gardens. An empty façade. It looks great from the outside, but when you step closer, you realise it’s just a whopping great train station with some drugged up self-proclaimed sociopath lurking in it.

 Let’s examine this case a little closer, shall we?

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